No
Filipina bride-to-be could ever resist the elegance
of piña, the graceful butterfly sleeves,
and the pride brought about by Filipiniana wedding gowns
that such style remains to be a traditional and classic
favorite.
Rajo
Laurel and Joel
Bautista,
two of the country's top designers, share their thoughts
on Filipiniana-themed wedding gowns and what makes them
a hit with altar-bound Filipinas.
Design
by Joel Bautista
Design
by Rajo Laurel
Origin
Both
designers consider our national history to be the crux
or root of the origin of the Filipiniana-themed gowns.
Laurel
believes that these gowns are symbolic of our diverse
culture, which stemmed from the various influences we've
had in our history. Bautista, on the other hand, believes
that the origin of Filipiniana-themed gowns is not unlike
that of the barong tagalog, meaning that both
began in the Spanish era and both have evolved since
then.
Current
Trends
The
Filipiniana wedding gown is not limited to the puffy
sleeves and piña cloth. Laurel says
that "with geographical culture playing a major
part in the themes of our Filipino gowns, (the styles)
are derived from the three major islands of our country.
These are evident in the different inspirations like
colonial, Muslim and ethnic." Current Filipiniana
style could be classified into two, adds Laurel. "One
would be a gown with an ethnic motif as detail via the
interpretation of ikat and other tribal weaves.
The other one would be the traditional indigenous material
cut into modern silhouettes."
For
Bautista, the most familiar versions would be the three-piece
ensemble (blouse, skirt and pañuelo)
with the optional alampay and patadyong,
and the terno popularized by the former First
Lady Imelda Marcos.
Design
by Joel Bautista
Design
by Rajo Laurel
However, most brides prefer the three-piece style over
the "Imelda terno" because the former
is more appealing in style. The three-piece style is
also less restricting in terms of height and built.
"An "Imelda terno" meanwhile,
would look best on a bride who is well-shaped and of
considerable height," Bautista says.
Materials
Both
each have their favored materials to work with and their
own design considerations.
Laurel
likes to mix fabrics to reflect the diversity of the
Filipino culture while Bautista favors silk organzas,
organdy, jusi, piña silk and
pure silk. He has also tried using abaca.
Here
to stay
Both
agree that the Filipiniana style of wedding gowns is
here to stay. "I would like to think that the Filipino's
pride in getting married is reflective in the designs
of her gowns, although this has to be in tune with modern
aesthetics," Laurel says. Meanwhile, Bautista offers,
"I think it is the gown's national identity that
the bride intends to personify within herself that makes
a Filipiniana-themed gown a virtuous choice for her
wedding."